Men Women And Chain Saws

Autor: Carol J. Clover
Publisher: Princeton University Press
ISBN: 1400866111
File Size: 53,96 MB
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From its first publication in 1992, Men, Women, and Chain Saws has offered a groundbreaking perspective on the creativity and influence of horror cinema since the mid-1970s. Investigating the popularity of the low-budget tradition, Carol Clover looks in particular at slasher, occult, and rape-revenge films. Although such movies have been traditionally understood as offering only sadistic pleasures to their mostly male audiences, Clover demonstrates that they align spectators not with the male tormentor, but with the females tormented—notably the slasher movie's "final girls"—as they endure fear and degradation before rising to save themselves. The lesson was not lost on the mainstream industry, which was soon turning out the formula in well-made thrillers. Including a new preface by the author, this Princeton Classics edition is a definitive work that has found an avid readership from students of film theory to major Hollywood filmmakers.

American Film History

Autor: Cynthia Lucia
Publisher: John Wiley & Sons
ISBN: 1118475127
File Size: 52,19 MB
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From the American underground film to the blockbuster superhero, this authoritative introduction explores the core issues and developments in American cinematic history during the second half of the twentieth-century through to the present day. Considers a wealth a subjects ranging from the impact of television, the rise of the new directors, and independent and underground film, to the impact of the civil rights, feminist and LGBT movements on film, American film after 9/11, and identity politics and culture Features a student-friendly structure dividing coverage into the periods 1960-1975, 1976-1990, and 1991 to the present day, each of which opens with an historical overview Brings together a rich and varied selection of contributions by a team of respected authors, combining broader historical, social and political context with detailed analysis of individual films, including Midnight Cowboy, Nashville, Cat Ballou, Chicago, Back to the Future, Killer of Sheep, Daughters of the Dust, Nothing But a Man, Ali, Easy Rider, The Conversation, The Texas Chain Saw Massacre, Longtime Companion, The Matrix, The War Tapes, and the Batman films among many others Additional online resources, such as sample syllabi, for general and specialized courses, including suggested readings and filmographies, will be available on publication at www.wiley.com/go/lucia May be used alongside The History of American Film: Origins to 1960 to provide an authoritative study of American cinema from its earliest days right through to the new millennium

Found Footage Horror Films

Autor: Alexandra Heller-Nicholas
Publisher: McFarland
ISBN: 1476613214
File Size: 19,59 MB
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As the horror subgenre du jour, found footage horror's amateur filmmaking look has made it available to a range of budgets. Surviving by adapting to technological and cultural shifts and popular trends, found footage horror is a successful and surprisingly complex experiment in blurring the lines between quotidian reality and horror's dark and tantalizing fantasies. Found Footage Horror Films explores the subgenre's stylistic, historical and thematic development. It examines the diverse prehistory beyond Man Bites Dog (1992) and Cannibal Holocaust (1980), paying attention to the safety films of the 1960s, the snuff-fictions of the 1970s, and to television reality horror hoaxes and mockumentaries during the 1980s and 1990s in particular. It underscores the importance of The Blair Witch Project (1999) and Paranormal Activity (2007), and considers YouTube's popular rise in sparking the subgenre's recent renaissance.

Refractions Of Violence

Autor: Martin Jay
Publisher: Routledge
ISBN: 1136730443
File Size: 65,26 MB
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A new collection of essays by the internationally recognized cultural critic and intellectual historian Martin Jay that revolves around the themes of violence and visuality, with essays on the Holocaust and virtual reality, religious violence, the art world, and the Unicorn Killer, among a wide range of other topics.

The Modern Horror Film

Autor: John McCarty
Publisher: Citadel Pr
ISBN:
File Size: 32,26 MB
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Provides credits, cast list, background, plot summaries, and an evaluation of fifty horror movies made from 1957 to 1988

The Routledge Encyclopedia Of Film Theory

Autor: Edward Branigan
Publisher: Routledge
ISBN: 1136472630
File Size: 69,29 MB
Format: PDF
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The Routledge Encyclopedia of Film Theory is an international reference work representing the essential ideas and concepts at the centre of film theory from the beginning of the twentieth century, to the beginning of the twenty-first. When first encountering film theory, students are often confronted with a dense, interlocking set of texts full of arcane terminology, inexact formulations, sliding definitions, and abstract generalities. The Routledge Encyclopedia of Film Theory challenges these first impressions by aiming to make film theory accessible and open to new readers. Edward Branigan and Warren Buckland have commissioned over 50 scholars from around the globe to address the difficult formulations and propositions in each theory by reducing these difficult formulations to straightforward propositions. The result is a highly accessible volume that clearly defines, and analyzes step by step, many of the fundamental concepts in film theory, ranging from familiar concepts such as ‘Apparatus’, ‘Gaze’, ‘Genre’, and ‘Identification’, to less well-known and understood, but equally important concepts, such as Alain Badiou’s ‘Inaesthetics’, Gilles Deleuze’s ‘Time-Image’, and Jean-Luc Nancy’s ‘Evidence’. The Routledge Encyclopedia of Film Theory is an ideal reference book for undergraduates of film studies, as well as graduate students new to the discipline.

Shock Value

Autor: Jason Zinoman
Publisher: Gerald Duckworth & Co
ISBN: 0715643843
File Size: 63,92 MB
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In the New Hollywood of the 1970s, just as Martin Scorsese, Steven Spielberg and Francis Ford Coppola were making their first classic films, a parallel group of directors was inventing the modern horror film. Wes Craven, George A. Romero, Roman Polanski, John Carpenter, Brian De Palma and others made films that were aggressive, raw and utterly original. They would go on to achieve massive box office success. Based on unprecedented access to these leading figures, and hundreds of other interviews, Jason Zinoman's Shock Value delivers an enthralling behind-the-scenes account of horror's golden age. Films such as Rosemary's Baby, Carrie, The Texas Chainsaw Massacre and Halloween created the template used by horror films ever since. They exploded taboos and drew on their creators' deepest anxieties to bring horror a gritty, confrontational style and political edge. Shock Value tells the remarkable stories behind the making of these films, which remain misunderstood even by some avid fans. Shot largely outside the Hollywood system on shoestring budgets, they dispensed with traditional vampires and werewolves, assaulting audiences with the dark side of suburbia and a new brand of nihilistic violence. When The Exorcist became the highest-grossing blockbuster of all time, the big studios took notice and the cinema would never be the same again. As the classic horror films of the 1970s conquered both the multiplex and the art house, thy entered the collective imagination and as Jason Zinouman shows, even taught us what to be afraid of. Shock Value is an enormously entertaining account of a highly influential era in filmmaking and Hollywood history.

A Companion To The Horror Film

Autor: Harry M. Benshoff
Publisher: John Wiley & Sons
ISBN: 1119335019
File Size: 46,46 MB
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"Offers a critical survey of the art and practice of horror movies covering everything from craft and technique, historical developments, and modern-day trends, to broader topics opening onto the socio-political dimensions of the genre. The volume begins with essays devoted to the theoretical methodologies used to study the genre, from cognitive and philosophical approaches, through audience reception and psychoanalysis, to those approaches that examine gender, sexuality, race, class, and (dis) ability in relation to the horror film. Subsequent sections cover horror film aesthetics, the history of the genre, and specific subjects including distribution and the relationship between horror, art house movies, and the documentary impulse."--Provided by publisher.

The Dread Of Difference

Autor: Barry Keith Grant
Publisher: University of Texas Press
ISBN: 1477302425
File Size: 38,37 MB
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"The Dread of Difference is a classic. Few film studies texts have been so widely read and so influential. It's rarely on the shelf at my university library, so continuously does it circulate. Now this new edition expands the already comprehensive coverage of gender in the horror film with new essays on recent developments such as the Hostel series and torture porn. Informative and enlightening, this updated classic is an essential reference for fans and students of horror movies."—Stephen Prince, editor of The Horror Film and author of Digital Visual Effects in Cinema: The Seduction of Reality "An impressive array of distinguished scholars . . . gazes deeply into the darkness and then forms a Dionysian chorus reaffirming that sexuality and the monstrous are indeed mated in many horror films."—Choice "An extremely useful introduction to recent thinking about gender issues within this genre."—Film Theory

Girlhood And The Plastic Image

Autor: Heather Warren-Crow
Publisher: Dartmouth College Press
ISBN: 1611685753
File Size: 70,96 MB
Format: PDF
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You are girlish, our images tell us. You are plastic. Girlhood and the Plastic Image explains how, revealing the increasing girlishness of contemporary media. The figure of the girl has long been prized for its mutability, for the assumed instability and flexibility of the not-yet-woman. The plasticity of girlish identity has met its match in the plastic world of digital art and cinema. A richly satisfying interdisciplinary study showing girlish transformation to be a widespread condition of mediation, Girlhood and the Plastic Image explores how and why our images promise us the adaptability of youth. This original and engaging study will appeal to a broad interdisciplinary audience including scholars of media studies, film studies, art history, and women's studies.